| 1 | 127 | Mesa Área Profesional - APIMA | 0 | De la idea al espectador.\nCómo es el proceso de producción y exhibición de un film.\nEl rol del INCAA en cada instancia.\n\n | El Aleph | 2013-04-11 | 14:00:00 | 1 | 0 | 27 | 2013-03-19 22:37:54 | 2013-03-23 00:11:44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 2 | 127 | Mesa Área Profesional - Mi primer Millón | 0 | Con Hernán Goldfrid, Axel Kuschevatzky, Pablo Trapero y Juan Taratuto. \nModera Marcelo Panozzo\n | El Aleph | 2013-04-11 | 17:00:00 | 1 | 0 | 27 | 2013-03-19 22:41:23 | 2013-03-23 00:12:52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 3 | 127 | Mesa INCAA - Políticas públicas de exhibición cinematográfica. | 0 | El Estado Nacional como garante de la accesibilidad a nuestra producción. \nEl Programa Espacio INCAA. \nNuevas ventanas / Nuevos desafíos. \nLa democratización del acceso a bienes culturales. \nEl caso INCAA TV.\nLa tecnología como herramienta de inclusión social.\nPrograma de Digitalización de salas.\nPresentado por autoridades y coordinadores de Programas INCAA.\n | El Aleph | 2013-04-12 | 18:00:00 | 1 | 0 | 27 | 2013-03-19 22:45:44 | 2013-03-23 00:14:47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 4 | 127 | Mesa - Presentación de <i>Las naves</i> | 0 | Presentación de <i>Las Naves</i> (publicación de cine en\ncooperación con la revista alemana Revolver).\nCon Andrés Di Tella, Christoph Hochhäusler, Mariano Llinás y Nicolás Prividera.\nModera: Roger Koza.\n\n | El Aleph | 2013-04-12 | 15:00:00 | 1 | 0 | 27 | 2013-03-20 16:09:33 | 2013-03-23 02:04:32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 5 | 68 | BAL. Proyección de Work In Progress | 0 | Para esta actividad gratuita la entrada debe retirarse el mismo día en el puesto de informes BAFICI ubicado en el 4º piso del Village Recoleta Mall, a partir de las 10 h.\n<br>\n<i>For this free activity, tickets are to be picked up at the BAFICI Information Desk, located on the 4th floor of the Village Recoleta Mall, from 10 a.m. onwards.</i> | 7 | 2013-04-12 | 17:00:00 | 1 | 0 | 29 | 2013-03-20 16:19:02 | 2013-03-25 16:19:49 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 6 | 68 | BAL. Proyección de Work In Progress | 0 | Para esta actividad gratuita la entrada debe retirarse el mismo día en el puesto de informes BAFICI ubicado en el 4º piso del Village Recoleta Mall, a partir de las 10 h.\n<br>\n<i>For this free activity, tickets are to be picked up at the BAFICI Information Desk, located on the 4th floor of the Village Recoleta Mall, from 10 a.m. onwards.</i> | 5 | 2013-04-13 | 10:15:00 | 1 | 0 | 29 | 2013-03-20 16:45:52 | 2013-03-25 15:56:06 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 7 | 127 | Mesa - Lux Vs. Sixpackfilm | 0 | MESA LUX VS. SIXPACKFILM: TITANES EN LA VANGUARDIA\nCon Gil Leung y Brigitta Burger-Utzer.\nModeran: Fran Gayo y Pablo Marín.\n | El Aleph | 2013-04-13 | 15:00:00 | 1 | 0 | 27 | 2013-03-20 17:00:32 | 2013-03-23 00:14:18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 8 | 68 | Proyección de CPH: LAB | 0 | Para esta actividad gratuita la entrada debe retirarse el mismo día en el puesto de informes BAFICI ubicado en el 4º piso del Village Recoleta Mall, a partir de las 10 h.\n<br>\n<i>For this free activity, tickets are to be picked up at the BAFICI Information Desk, located on the 4th floor of the Village Recoleta Mall, from 10 a.m. onwards.</i>\n | 7 | 2013-04-13 | 17:00:00 | 1 | 0 | 29 | 2013-03-20 17:02:05 | 2013-03-25 15:52:20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 9 | 127 | Mesa Área Profesional | 0 | <b>Mi primera película. Básicos para salir a filmar</b>\nCon Laura Citarella, Alejandro Fadel, Grupo Humus y Diego Levy.\nModera: Rosa Martínez Rivero.\n | El Aleph | 2013-04-13 | 18:00:00 | 1 | 0 | 27 | 2013-03-20 17:05:56 | 2013-03-23 00:12:18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 10 | 68 | Proyección - Realidades del Cine actual | 0 | Realidades del cine actual: entre el archivo fílmico y la innovación digital. Proyección de materiales de participantes del Talent Campus. | NaN | 2013-04-14 | 21:00:00 | 1 | 0 | 39 | 2013-03-20 17:08:34 | 2013-03-27 21:56:40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 11 | 12 | Il Gemello | 182 | NaN | 10 | 2013-04-11 | 12:40:00 | 1 | 0 | 29 | 2013-03-20 23:21:19 | 2013-03-23 00:55:48 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 12 | 12 | Chiri/Trace / All This Can Happen | 145 | NaN | 2 | 2013-04-11 | 12:50:00 | 1 | 1 | 29 | 2013-03-21 14:31:04 | 2013-04-10 12:44:59 | 108 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 13 | 12 | Chicama | 144 | NaN | 5 | 2013-04-11 | 13:00:00 | 1 | 0 | 29 | 2013-03-21 14:31:52 | 2013-03-21 14:31:52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 14 | 12 | Inori | 195 | NaN | 2 | 2013-04-11 | 13:15:00 | 1 | 0 | 33 | 2013-03-21 14:32:44 | 2013-03-21 14:32:44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 15 | 122 | Kiltro | 49 | NaN | 9 | 2013-04-11 | 13:45:00 | 1 | 0 | 29 | 2013-03-21 14:34:25 | 2013-03-21 14:34:25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 16 | 75 | Jerry Lewis (partie 1) | 92 | NaN | 1 | 2013-04-11 | 14:05:00 | 1 | 0 | 33 | 2013-03-21 14:37:15 | 2013-03-23 00:57:07 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 17 | 12 | Mekong Hotel | 211 | NaN | 7 | 2013-04-11 | 14:05:00 | 1 | 0 | 38 | 2013-03-21 14:40:21 | 2013-03-21 14:40:21 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 18 | 12 | Mold | 214 | NaN | 4 | 2013-04-11 | 14:25:00 | 1 | 0 | 38 | 2013-03-21 14:43:35 | 2013-03-21 14:43:35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 19 | 83 | Shepherds’ Journey into the Third Millenium | 61 | NaN | Leopoldo Lugones | 2013-04-11 | 14:30:00 | 1 | 0 | 34 | 2013-03-21 14:55:40 | 2013-03-21 14:55:40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 20 | 12 | La madre / Bob Wilson’s Life & Death of Marina Abramovic | 322 | NaN | 6 | 2013-04-11 | 14:30:00 | 1 | 1 | 29 | 2013-03-21 14:57:40 | 2013-04-11 21:11:32 | 132 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 21 | 104 | Turning | 372 | NaN | 3 | 2013-04-11 | 14:45:00 | 1 | 0 | 29 | 2013-03-21 14:58:19 | 2013-03-21 14:58:19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 22 | 12 | Orléans | 234 | NaN | 1 | 2013-04-11 | 14:50:00 | 1 | 0 | 32 | 2013-03-21 15:00:21 | 2013-03-21 15:00:21 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 23 | 104 | De occulta philosophia | 276 | NaN | 5 | 2013-04-11 | 14:55:00 | 1 | 0 | 29 | 2013-03-21 15:01:15 | 2013-03-21 15:01:15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 24 | 12 | Centro histórico | 143 | NaN | 3 | 2013-04-11 | 15:15:00 | 1 | 0 | 32 | 2013-03-21 15:02:07 | 2013-03-21 15:02:07 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 25 | 12 | VidaExtra | 295 | NaN | 2 | 2013-04-11 | 15:15:00 | 1 | 0 | 33 | 2013-03-21 15:02:45 | 2013-03-21 15:02:45 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 26 | 12 | Romance Joe | 252 | NaN | 2 | 2013-04-11 | 15:15:00 | 1 | 0 | 29 | 2013-03-21 15:03:35 | 2013-03-21 15:03:35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 27 | 119 | The Day He Arrives | 25 | NaN | 4 | 2013-04-11 | 15:30:00 | 1 | 0 | 29 | 2013-03-21 15:04:54 | 2013-03-21 15:04:54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 28 | 12 | Like Someone in Love | 200 | NaN | 1 | 2013-04-11 | 15:40:00 | 1 | 1 | 29 | 2013-03-21 15:05:59 | 2013-04-02 20:35:14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 29 | 12 | Starlet | 267 | NaN | 7 | 2013-04-11 | 15:50:00 | 1 | 0 | 38 | 2013-03-21 15:07:07 | 2013-03-21 15:07:07 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 30 | 12 | Doméstica | 157 | NaN | 1 | 2013-04-11 | 16:25:00 | 1 | 0 | 32 | 2013-03-21 15:08:26 | 2013-03-21 15:08:26 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 31 | 80 | Modelo 73 | 130 | NaN | 9 | 2013-04-11 | 16:35:00 | 1 | 0 | 29 | 2013-03-21 15:11:15 | 2013-03-21 15:11:15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 32 | 12 | Sofia’s Last Ambulance | 261 | NaN | 4 | 2013-04-11 | 16:40:00 | 1 | 0 | 38 | 2013-03-21 15:12:16 | 2013-03-21 15:12:16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 33 | 104 | Taller de flamenco | 371 | NaN | 7 | 2013-04-11 | 16:50:00 | 1 | 0 | 29 | 2013-03-21 15:13:48 | 2013-03-21 15:13:48 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 34 | 12 | Method to the Madness of Jerry Lewis | 213 | NaN | 1 | 2013-04-11 | 16:55:00 | 1 | 0 | 33 | 2013-03-21 15:14:46 | 2013-03-21 15:14:46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 35 | 121 | Aquí se construye (o Ya no existe el lugar donde nací) | 36 | NaN | 5 | 2013-04-11 | 16:55:00 | 1 | 0 | 29 | 2013-03-21 15:15:56 | 2013-03-21 15:15:56 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 36 | 12 | La plaga | 242 | NaN | 6 | 2013-04-11 | 17:00:00 | 1 | 0 | 29 | 2013-03-21 15:16:42 | 2013-03-21 15:16:42 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 37 | 12 | Eu receberia as piores notícias dos seus lindos lábios | 164 | NaN | 3 | 2013-04-11 | 17:10:00 | 1 | 0 | 29 | 2013-03-21 15:17:35 | 2013-03-21 15:17:35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 38 | 9 | Leviathan | 269 | NaN | 8 | 2013-04-11 | 17:15:00 | 1 | 0 | 29 | 2013-03-21 15:18:57 | 2013-03-21 15:18:57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 39 | 12 | Cold | 153 | NaN | 3 | 2013-04-11 | 17:25:00 | 1 | 0 | 32 | 2013-03-21 15:19:46 | 2013-03-21 15:19:46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 40 | 12 | More Than Honey | 220 | NaN | NaN | 2013-04-11 | 17:25:00 | 1 | 0 | 30 | 2013-03-21 15:20:35 | 2013-03-21 15:20:35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 41 | 120 | Cortos - Abriendo caminos: Action! | 376 | NaN | Leopoldo Lugones | 2013-04-11 | 17:30:00 | 1 | 0 | 34 | 2013-03-21 15:24:15 | 2013-03-21 15:24:15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 42 | 12 | The Great North Korean Picture Show | 187 | NaN | 4 | 2013-04-11 | 17:40:00 | 1 | 0 | 29 | 2013-03-21 15:25:05 | 2013-03-21 15:25:05 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 43 | 12 | 5 Broken Cameras | 91 | NaN | 10 | 2013-04-11 | 17:50:00 | 1 | 1 | 29 | 2013-03-21 15:25:58 | 2013-04-11 14:17:39 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 44 | 80 | Bonanza | 117 | NaN | NaN | 2013-04-11 | 18:00:00 | 1 | 0 | 31 | 2013-03-21 15:26:48 | 2013-03-21 15:26:48 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 45 | 12 | Like Someone in Love | 200 | NaN | 1 | 2013-04-11 | 18:05:00 | 1 | 1 | 29 | 2013-03-21 15:27:34 | 2013-04-02 20:35:31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 46 | 12 | Enjoy Yourself / Twenty Little Films / The Capsule | 342 | NaN | 7 | 2013-04-11 | 18:10:00 | 1 | 0 | 38 | 2013-03-21 15:30:14 | 2013-03-21 15:30:14 | 338 | 311 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 47 | 12 | Mai Morire | 203 | NaN | 1 | 2013-04-11 | 18:15:00 | 1 | 0 | 32 | 2013-03-21 15:31:45 | 2013-03-21 15:31:45 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 48 | 12 | The Cat That Lived  a Million Times | 142 | NaN | 2 | 2013-04-11 | 18:15:00 | 1 | 0 | 29 | 2013-03-21 15:32:48 | 2013-03-21 15:32:48 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 49 | 104 | La banda que buscó el sonido debajo | 254 | NaN | 2 | 2013-04-11 | 18:20:00 | 1 | 0 | 33 | 2013-03-21 15:33:51 | 2013-03-21 15:33:51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 50 | 90 | Roma | 11 | NaN | 9 | 2013-04-11 | 18:35:00 | 1 | 0 | 29 | 2013-03-21 15:34:42 | 2013-03-21 15:34:42 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 51 | 12 | The Lebanese  Rocket Society | 199 | NaN | 4 | 2013-04-11 | 18:40:00 | 1 | 0 | 38 | 2013-03-21 15:36:09 | 2013-03-21 15:36:09 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 52 | 121 | El diario de Agustín | 39 | NaN | 7 | 2013-04-11 | 19:10:00 | 1 | 0 | 29 | 2013-03-21 15:37:23 | 2013-03-21 15:37:23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 53 | 119 | Hahaha | 23 | NaN | NaN | 2013-04-11 | 19:30:00 | 1 | 0 | 30 | 2013-03-21 15:38:25 | 2013-03-21 15:38:25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 54 | 120 | Cortos - Abriendo caminos: Daily business | 392 | NaN | Leopoldo Lugones | 2013-04-11 | 19:30:00 | 1 | 0 | 34 | 2013-03-21 15:41:55 | 2013-03-21 15:41:55 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 55 | 12 | Alunizar | 110 | NaN | 3 | 2013-04-11 | 19:40:00 | 1 | 0 | 32 | 2013-03-21 15:43:03 | 2013-03-21 15:43:03 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 56 | 75 | Conversation avec George Cukor / Busby Berkeley | 97 | NaN | 1 | 2013-04-11 | 19:45:00 | 1 | 0 | 33 | 2013-03-21 15:44:51 | 2013-03-21 15:44:51 | 100 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 57 | 12 | Gypsy Davy | 189 | NaN | 5 | 2013-04-11 | 19:55:00 | 1 | 0 | 29 | 2013-03-21 15:47:52 | 2013-03-21 15:47:52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 58 | 19 | Plaga zombie | 373 | NaN | NaN | 2013-04-11 | 20:00:00 | 1 | 0 | 31 | 2013-03-21 15:49:25 | 2013-03-21 15:49:25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 59 | 109 | El crítico | 313 | NaN | 6 | 2013-04-11 | 20:00:00 | 1 | 1 | 29 | 2013-03-21 15:51:17 | 2013-04-06 14:23:40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 61 | 3 | Tchoupitoulas | 46 | NaN | 3 | 2013-04-11 | 20:10:00 | 1 | 1 | 29 | 2013-03-21 15:53:44 | 2013-04-08 19:42:06 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 62 | 9 | Hasta el sol tiene manchas | 279 | NaN | 10 | 2013-04-11 | 20:15:00 | 1 | 0 | 29 | 2013-03-21 15:54:46 | 2013-03-21 15:54:46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 63 | 19 | Sobreviven | 386 | NaN | 1 | 2013-04-11 | 20:20:00 | 1 | 1 | 32 | 2013-03-21 15:55:45 | 2013-04-11 21:13:24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 64 | 4 | Ramón Ayala | 106 | NaN | 4 | 2013-04-11 | 20:20:00 | 1 | 1 | 29 | 2013-03-21 15:56:57 | 2013-04-02 20:34:35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 65 | 12 | Tango de una noche  de verano | 273 | NaN | 7 | 2013-04-11 | 20:30:00 | 1 | 0 | 38 | 2013-03-21 15:57:37 | 2013-03-21 15:57:37 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 66 | 83 | Alpine Saga - A Film About Mountain Haymaking | 62 | NaN | 1 | 2013-04-11 | 20:30:00 | 1 | 0 | 29 | 2013-03-21 15:59:51 | 2013-03-21 15:59:51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 67 | 12 | Cuéntame de Bía | 154 | NaN | 2 | 2013-04-11 | 20:40:00 | 1 | 0 | 29 | 2013-03-21 16:00:55 | 2013-03-21 16:00:55 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 68 | 104 | Something from Nothing: The Art of Rap | 370 | NaN | 4 | 2013-04-11 | 21:00:00 | 1 | 0 | 38 | 2013-03-21 16:02:02 | 2013-03-21 16:02:02 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 69 | 12 | O som ao redor | 266 | NaN | 2 | 2013-04-11 | 21:25:00 | 1 | 1 | 33 | 2013-03-21 16:03:00 | 2013-04-05 16:19:02 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 70 | 12 | Z.U.G.A. | 305 | NaN | Leopoldo Lugones | 2013-04-11 | 21:45:00 | 1 | 0 | 34 | 2013-03-21 16:04:06 | 2013-03-21 16:04:06 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 71 | 119 | Oki’s Movie | 24 | NaN | NaN | 2013-04-11 | 22:00:00 | 1 | 0 | 30 | 2013-03-21 16:04:55 | 2013-03-21 16:04:55 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 72 | 19 | Zona mutante | 374 | NaN | NaN | 2013-04-11 | 22:00:00 | 1 | 0 | 31 | 2013-03-21 16:05:49 | 2013-03-21 16:05:49 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 73 | 4 | P3ND3JO5 | 103 | NaN | 7 | 2013-04-11 | 22:10:00 | 1 | 1 | 29 | 2013-03-21 16:07:03 | 2013-04-05 20:46:54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 74 | 12 | Harry Dean Stanton:  Partly Fiction | 192 | NaN | 1 | 2013-04-11 | 22:15:00 | 1 | 0 | 33 | 2013-03-21 16:08:08 | 2013-03-21 16:08:08 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 75 | 124 | Cortos - Lois Patiño | 65 | NaN | 5 | 2013-04-11 | 22:30:00 | 1 | 0 | 29 | 2013-03-21 16:15:11 | 2013-03-21 16:15:11 | 68 | 66 | 69 | 67 | 0 | 0 | 0 | 0 | 0 | 
    
      | 76 | 12 | Vidrios | 297 | NaN | 3 | 2013-04-11 | 22:35:00 | 1 | 1 | 32 | 2013-03-21 16:16:27 | 2013-04-03 14:27:17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 77 | 12 | Mapa | 204 | NaN | 2 | 2013-04-11 | 22:40:00 | 1 | 1 | 29 | 2013-03-21 16:17:17 | 2013-04-11 22:23:44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 78 | 19 | La casa del sol naciente | 380 | NaN | 1 | 2013-04-11 | 22:50:00 | 1 | 0 | 32 | 2013-03-21 16:18:29 | 2013-03-21 16:18:29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 79 | 90 | La playa del amor | 3 | NaN | 9 | 2013-04-11 | 22:50:00 | 1 | 0 | 29 | 2013-03-21 16:20:04 | 2013-03-21 16:20:04 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 80 | 3 | Ma belle gosse | 52 | NaN | 6 | 2013-04-11 | 23:00:00 | 1 | 1 | 29 | 2013-03-21 16:21:00 | 2013-04-12 02:08:17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 81 | 104 | Big Easy Express | 264 | NaN | 4 | 2013-04-11 | 23:05:00 | 1 | 0 | 29 | 2013-03-21 16:22:17 | 2013-03-21 16:22:17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 82 | 19 | El rey de la comedia | 383 | NaN | 7 | 2013-04-11 | 23:10:00 | 1 | 0 | 38 | 2013-03-21 16:23:28 | 2013-03-21 16:23:28 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 83 | 12 | Strings / Hula and Natan | 363 | NaN | 10 | 2013-04-11 | 23:10:00 | 1 | 0 | 29 | 2013-03-21 16:25:05 | 2013-03-21 16:25:05 | 193 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 84 | 80 | El amor (primera parte) | 113 | NaN | 3 | 2013-04-11 | 23:15:00 | 1 | 1 | 29 | 2013-03-21 16:26:31 | 2013-04-09 12:01:51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 85 | 9 | Tráiganme la cabeza de la mujer metralleta | 258 | NaN | 8 | 2013-04-11 | 23:20:00 | 1 | 0 | 29 | 2013-03-21 17:01:18 | 2013-03-21 17:01:18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 86 | 12 | La Fille de nulle part | 166 | NaN | 4 | 2013-04-11 | 23:30:00 | 1 | 0 | 38 | 2013-03-21 17:03:00 | 2013-03-21 17:03:00 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 87 | 19 | In the Dust of the Stars | 379 | NaN | 1 | 2013-04-11 | 23:30:00 | 1 | 0 | 29 | 2013-03-21 17:03:39 | 2013-03-21 17:03:39 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 88 | 80 | Historias extraordinarias | 122 | NaN | 7 | 2013-04-12 | 11:40:00 | 1 | 0 | 29 | 2013-03-21 17:04:48 | 2013-03-21 17:04:48 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 89 | 12 | Far from Afghanistan | 165 | NaN | 2 | 2013-04-12 | 11:45:00 | 1 | 0 | 29 | 2013-03-21 17:05:54 | 2013-03-21 17:05:54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 90 | 90 | Roma | 11 | NaN | 9 | 2013-04-12 | 13:30:00 | 1 | 0 | 29 | 2013-03-21 17:06:49 | 2013-03-21 17:06:49 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 91 | 12 | I Catch a Terrible Cat | 194 | NaN | 10 | 2013-04-12 | 13:40:00 | 1 | 0 | 29 | 2013-03-21 17:07:46 | 2013-03-21 17:07:46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 92 | 12 | Vic+Flo ont vu un ours | 293 | NaN | 3 | 2013-04-12 | 14:30:00 | 1 | 0 | 29 | 2013-03-21 17:08:50 | 2013-03-21 17:08:50 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 93 | 122 | Mirageman | 50 | NaN | 1 | 2013-04-12 | 14:40:00 | 1 | 0 | 29 | 2013-03-21 17:09:53 | 2013-03-21 17:09:53 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 94 | 12 | Marina Abramovic: The Artist Is Present | 207 | NaN | 2 | 2013-04-12 | 15:05:00 | 1 | 1 | 29 | 2013-03-21 17:10:33 | 2013-04-11 15:08:24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 95 | 12 | Disparos | 156 | NaN | 8 | 2013-04-12 | 15:25:00 | 1 | 0 | 29 | 2013-03-21 17:11:32 | 2013-03-21 17:11:32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 96 | 12 | As ondas / Reconversão | 331 | NaN | 10 | 2013-04-12 | 16:40:00 | 1 | 0 | 29 | 2013-03-21 17:13:48 | 2013-03-21 17:13:48 | 248 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 97 | 80 | El estudiante | 120 | NaN | 3 | 2013-04-12 | 16:55:00 | 1 | 1 | 29 | 2013-03-21 17:14:42 | 2013-04-10 12:58:06 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 98 | 12 | The City Below | 149 | NaN | 9 | 2013-04-12 | 17:15:00 | 1 | 0 | 29 | 2013-03-21 17:16:10 | 2013-03-21 17:16:10 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 99 | 12 | Outrage Beyond | 235 | NaN | 1 | 2013-04-12 | 17:30:00 | 1 | 1 | 29 | 2013-03-21 17:16:56 | 2013-04-03 16:33:02 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 100 | 12 | Fogo | 167 | NaN | 8 | 2013-04-12 | 17:40:00 | 1 | 0 | 29 | 2013-03-21 17:19:01 | 2013-03-21 17:19:01 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
    
      | 101 | 121 | No olvidar / La mamá de mi abuela le contó a mi abuela | 30 | NaN | 5 | 2013-04-12 | 17:45:00 | 1 | 0 | 29 | 2013-03-21 17:20:57 | 2013-03-21 17:20:57 | 37 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |